SCENIC PAINTING
MACBETH
Written by William Shakespeare
Royal Welsh College of Music and Drama Production 2023
For this production, I was working in a team of 5 other scenic painters. The main job at hand was to paint the floor and large slats with a dusty, smoky finish
Director - Jonathan Munby
Designer - Irene Kim
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1:25 Model of the space, made by designer Irene Kim -- for the Richard Burton Theatre, an End-On theatre space.
CHALK SCRATCHES
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Marking out the floor
Laying the floor out
Priming the floor with black emulsion paint
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Samples of the texture, created with white and black emulsion paint and applied by dry brushing
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Marking out the floor
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Painting the Sections
I also helped out in the get in for this production. Was given the task to work alongside construction, to put up the flown flats and also to build the platform structure.
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Final floor, with satin Flints glaze
Photography by Simon Gough
TOP GIRLS
Written by Caryl Churchill
Royal Welsh College of Music and Drama Production 2022
Director - Patricia Logue
Designer - Olivia Gough
1:25 Model of the space, made by designer Olivia Gough-- for the Bute Theatre, an End-On theatre space.
MARBLE
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The marble effect was created on primed white wood, whilst wet I dragged a feather with grey paint through
Photography by Kirsten McTernan
SIGN IN SIDNEY BRUSTEINS WINDOW
Written by Lorraine Hansberry
Royal Welsh College of Music and Drama Production 2022
Director - Emily Ling Williams
Designer - Tasmin Robinson
1:25 Model of the space, made by designer Tasmin Robinson -- for the Richard Burton Theatre, an End-On theatre space.
BRICK
Rosco paints were used for these samples, painted on vacuumed brick sheets.
Photography by Kirsten McTernan